I have learned that there is a difference between my physical voice, and my voice in the broader sense. I have mastered my physical voice - all the nuances, the breaking points; learned the ways my voice likes to move and blossom. There is freedom and joy in the practise of using my voice in that way on stage. But I needed something more.
Rachel Jean-Pierre, a Black Lesbian, & Rebecca Woodmass, a Queer Non-Binary Human offer their unique insight and perspective to move our tech communities beyond band-aid solutions and into the thrilling discomfort of embracing the unknown and allowing the beauty of humanity to challenge the very foundations upon which our startups, nonprofits, and corporations are built.Read More
Inspired by a little silver plastic chip in my pocket that said “Women in Recovery” on one side and the serenity prayer on the other (and my phone full of new numbers), I found a desire within me that I hadn’t even known I wanted until I stepped into that meeting. I wanted myself back.Read More
It’s time for us to recognize the truthfulness of our bodies responses to oppression and let these visceral truths lead us toward alternatives.Read More
In order for you to believe us,
You are going to have to learn to forgive yourself.
And that is the hardest thing you’ll ever do.Read More
Let yourself rage against all the reasons you stopped using your voice. Rage against money, capitalism, the lie of meritocracy, the optimism of youth, the institutions that lulled you into passivity, the warnings you did not heed, misogyny. Shame, emotional abuse, trauma, microagressions. Sore throats, lies. Shed your tears for all those moments of connection you lost because you did not sing.Read More
We all know there’s a problem, and the solution is likely hiding right in your own workplace. All you have to do is ask questions, be ready to listen, and then act to disrupt the status quo in favour of marginalized people. It’s time.Read More
How do I embody a character fully, fall in love with the character, learn its idiosyncrasies, when that character must undergo torture daily on stage, sometimes multiple times, with increasing detail, depth, and dramatic timing? How do I rehearse trauma?Read More